AppleQueso wrote:
Which means that if Captian America has a bad director it won't matter how the writers handle it...
(Plus, I don't know if I'd say Resurrection had a good script, unless Whedon was aiming for some kind of campy self-parody)
Yep it does mean that. Every bad film is the cause of either bad direction or writing when it comes to the source of it. No doubt. But the original post I put was a response to GameforLife saying that "great movies are all about who directs". I just replied saying that credit should also go to the writers as well and because of Joss Whedon's involvement with the project, it seems to go in a good direction.
All you did was just put up a film that was written by him
about 5 times and even though he was quoted saying
"It wasn't a question of doing everything differently, although they changed the ending; it was mostly a matter of doing everything wrong. They said the lines...mostly...but they said them all wrong. And they cast it wrong. And they designed it wrong. And they scored it wrong. They did everything wrong that they could possibly do. There's actually a fascinating lesson in filmmaking, because everything that they did reflects back to the script or looks like something from the script, and people assume that, if I hated it, then they’d changed the script...but it wasn’t so much that they’d changed the script; it’s that they just executed it in such a ghastly fashion as to render it almost unwatchable."
You tried to say something that wasn't necessary.
AppleQueso wrote:
Joss Whedon wrote Alien Resurrection too. Didn't stop that movie from being terrible.