Games Beaten 2018

Post by **BoneSnapDeez** » Sat Jan 20, 2018 5:17 pm

Segata wrote:Top Hunter, of course, a Neo Geo game and would feel at home on a CD-based system of the mid-90s

Well, I mean, technically...

Post by **Segata** » Sat Jan 20, 2018 5:44 pm

I figured it likely did get an NG CD port but wasn't 100% sure.

Post by **ElkinFencer10** » Sat Jan 20, 2018 5:54 pm

Games Beaten in 2018 So Far - 5
* denotes a replay

January (5 Games Beaten)

5. Xuan-Yuan Sword: The Gate of Firmament - PlayStation 4 - January 20

With my love of visual novels - and often low budget ones at that - I'm no stranger to shoddy translations and straight up "Engrish." This game, however, takes the cake for astoundingly bad translations. Xuan-Yuan Sword: The Gate of Firmament is the sixth game in the series but the first one to receive a translation from Chinese. The Steam version saw a worldwide release, but this retail PlayStation 4 version was imported from China because I'm insane and pay good money for bad games just for the sake of sticking them on my shelf.

Xuan-Yuan Sword: The Gate of Firmament (henceforth referred to simply as Xuan-Yuan Sword) is timer based JRPG somewhat reminiscent of the Tales or Xenoblade series in some aspects. Depending on what's going on in the story, you have anywhere from one to four characters in your party, and movement in the world takes place in a standard third person view with enemies appearing in the dungeon rather than randomly encountered and combat taking place in a fairly standard JRPG manner. You cannot move your character around within the battle - character movement is done automatically - but you have up to six attacks at your disposal depending on what skills you've unlocked and equipped and two items that can be used (you have to select a health item and a mana item of some kind from the pause menu outside of battle). From there, your actions are on a cooldown timer depending on what attack or item you chose to use. It's a pretty straight forward system that has some quirks here and there to learn but is largely going to feel right at home for any veteran of recent JRPGs.

The story - from what I was able to gather of it - is that you play as this guy from some random little village whose sister gets kidnapped by bandits because she's stupid and clumsy, and then you meet some chick who eats more than a fat kid in a bakery but stays skinny and wields an axe that looks like it was stolen from Soul Calibur's Astaroth, and the two of you try to save your sister and along the way find some space looking chick who's in a come or something. This chick seriously looks like if the Chinese tried to draw a human version of Princess Luna. Anyway, yall do plot stuff and go your separate ways, and then your character gets banished from his village because old men are stupid, and then the game's real story FINALLY starts...literally no less than five or six hours in. I've never in my life played a game that takes this damn long to get to the actual story, and you're easily halfway through the game before you have any clue who the antagonist is.

Part of the reason that synopsis is so flippant is because the story isn't that engaging anyway, but it's also partly because the translation is so bad that the details really aren't made clear. Like, the overarching narrative is that good guys want to get to heaven so the Jade Emperor (the creator god of the Three Pure Ones in Taoism) can recognize the ruler's bloodline which will apparently magically make natural disasters stop happening in their territory, but there are also bad guys who want to get to heaven and - somehow - force the Jade Emperor to destroy the world...or something. That part wasn't really that clear. Then there's a god who's a good guy but turned into a bad guy but he's dead but he's not REALLY dead and he's basically the "just wants to watch the world burn" meme in a nutshell. Another thing about the translation that makes it REALLY confusing to figure out what's going on is that seemingly at random, the wrong character's name will be used in a subtitle, so it gets REALLY confusing to figure out who's even talking to whom and about whom. There are also a couple of lines of subtitle that aren't even translated from Chinese - just these lines of Chinese characters mixed in with (very) poorly translated English).

There are also some real gems of awkwardly or just flat out badly translated dialogue that make the game next to impossible to take seriously.

"I didn't come this far to only come this far!"

"I has been a obedient child."

"The willagers were trapped all over the places!"

Yes. Willagers. If only they had a nuclear wessel they could use to escape. Like, this game may well have a brilliantly written and compelling story. I'll never know without becoming fluent in Chinese because they could seriously have just plugged the entire script into Google Translate and had a better English product. It's baffling that this made it past ANY legitimate game studio's QA department. It's not like this is some bootleg Vietnamese Pokemon game for NES; this is a fairly well respected and well received game series among Chinese literate gamers. It just blows my mind a tad; it honestly might have been better not even to bother translating it at all if the finished product is this quality.

So now that I've thoroughly expressed just how god awful the translation is, let's take a look at the graphics and music. It looks okay....if it were running on PS3. Honest to god, with only a few exceptions, it looks like an upscaled PlayStation 2 game. There was literally nothing about this game's visuals - not the character models, not the environments, not even the few pre-rendered cut scenes - that impressed me in the slightest. It doesn't look bad by any means, but it doesn't look like a game that came out for current generation hardware. Unfortunately, the last-gen looking visuals aren't for the sake of performance; the game normally runs between 20 and 30 fps, but there are section - one dungeon in particular - that routinely dips to 15 fps or so and approaches if not outright reaching single digit frame rates.

The game's music is actually quite good. It's traditional instrumental Chinese music, and it's absolutely gorgeous. The problem is that it's also absolutely relaxing, and when you mix that with an utterly boring narrative and repetitive gameplay, you get my snoring pretty promptly. I had to put on headphones and start listening to Liquid Metal on Sirius XM and my Slipknot station on Pandora just to stay awake long enough to finish the game. It seriously put me to sleep. The biggest problem with the audio in general is that there's not much consistency to the voice levels; some characters' voices will sound normal, some will be virtually inaudible, and some will be almost deafening. In general, that's not a MAJOR issue here, but it does get annoying.

Xuan-Yuan Sword: The Gate of Firmament has a decent pedigree, and with an interesting (or at least coherent) story, the rather repetitive gameplay wouldn't be an issue. Unfortunately, the game is somewhat marred by lackluster visuals, inconsistent performance, and an utterly pathetic attempt at translation. Chinese is a complex language, and English has some confusing grammar intricacies - I get it - but this is just pitiful. The game plays like a mid-budget RPG, looks like a low-budget RPG, and is translated like a high school project. I absolutely cannot recommend this on PlayStation 4 (it's a total waste of money and time to import it from China), and unless you find it for less than $5, I can't even recommend it on Steam. Hell, even for less than $5, I'd have a hard time recommending it unless it's a gift or something. There's just nothing worthwhile or compelling here, and that's really a shame given the promise of an RPG steeped in Taoist mythology. If you do ignore my advice and buy it, though, at least it does work. It's a functional game; it's just not a very good game.

Post by **ElkinFencer10** » Sun Jan 21, 2018 12:17 pm

Games Beaten in 2018 So Far - 6
* denotes a replay

January (6 Games Beaten)

6. Doki Doki Literature Club - Steam - January 20

I'm being 100% serious right now - this game will psychologically destroy you. The disclaimer at the start of the game is totally legit - if you suffer from depression or anxiety, DO NOT PLAY THIS GAME. I wish I had listened.

"Hey, have you played Doki Doki Literature Club?" I legit heard that from at least thirty different people over the past few months. Figuring that my friends know me pretty well and, therefore, this must be a good game for this many to recommend it, I decided to give it a go. I like cute visual novels and dating sims, and this looks like that. Plus it's free. Who can beat free? I'm now questioning the validity all of my friendships. Why would someone who cares about me tell me to play something like this? I'm not questioning my friendships in any serious, literal way, of course, but...this is not a "fun" game.

Doki Doki Literature Club is a visual novel, but it's not at all what it first appears to be. At first, it appears to be your run-of-the-mill neckbeard harem VN. After about an hour (depending on your reading speed), though, you how far from the truth that is. This is not a dating sim; this is the most severe psychological horror game that has perhaps ever been released. I've played a lot of really screwed up and will-screw-you-up games in the past few years - Spec Ops: The Line, The Last of Us, PT, SOMA, Silent Hill: Shattered Memories, etc - and none of them even begin to approach Doki Doki Literature Club. Everything about this game is masterfully crafted, and because the entire game is so well made, you cannot overstate the psychological damage it will do to the player.

Most folks will probably brush all that off as hyperbole - exactly like I did - and play it anyway, and for those who aren't dealing with mental illness, that might be fine. For those of us who are, however, and who do spend every day fighting our own inner demons, that's a mistake. Doki Doki Literature Club does things to you emotionally that a game shouldn't be able to do - especially a free visual novel. I have never had any medium - not film, not books, not music - ever affect me as deeply and profoundly as this game did. It's like that VHS tape in The Ring; it's not *just* a game. At the very least, it's so psychologically...well, for lack of a better phrase, fucked up....that it feels like it's not just a game.

The next paragraph is going to deal with my personal experience with the game and will include major spoilers, so I'm putting it in a spoiler tag. Read if you wish. Skip if you wish.

Doki Doki Literature Club was developed over the course of two years by a team although the credits lead me to believe it was largely "this one guy and some helpers." It is, at its root, a metafictional and psychological horror commentary on mental illness and some of the exceptionally unhealthy characterizations and tropes common in dating sims. Given my love for Hyperdimension Neptunia, I'm no stranger to characters who break the fourth wall, but this game makes Nep look straight up strict in that regard. Whatever you think a game can do to break the fourth wall is tame in comparison. It may sound like I have a negative opinion of this game because of the inundation of negative emotions it brought, but I was actually extraordinarily impressed with this game in all regards. The music is lovely but otherwise doesn't stand out as particularly noteworthy...at first. The farther you get into the game, the more you realize just how much thought and attention to detail went into the music and especially so with regards to its timing with what's going on in the game.

The thing about Doki Doki Literature Club is that it's almost TOO well written. When you get a couple hours into it, it stops feeling like a game. The whole thing is written to feel real - too real. I can't stress that enough - the game's handling of mental illness feels entirely too real if you've dealt with it personally. For those lucky enough to have "normal" mental health, it's an important and all too accurate look into the reality of these illnesses. Yeah, it shows the extreme, and they aren't the same for everyone, but can help people who think that depression is just "I feel sad sometimes" or that anxiety is "Stuff makes me nervous" see how much deeper and truly crippling these afflictions can be.

Doki Doki Literature Club is a masterpiece. It's a masterpiece that I NEVER want to experience again, but it's a masterpiece nonetheless. Never before have I experienced a game so brilliantly written that I found myself crying in a ball on the floor of my closet because I couldn't handle how REAL it felt. This game is not for the faint of heart, and it's not to be played alone. You need emotional support for this game. It's a very worthwhile experience, but at the end of that experience, you'll be hurting and emotionally raw, and it will take you time to process what you feel and think about the game. It's...an experience unlike any other. I will say, though, that I cannot in good conscience recommend this to people who suffer from mental illness. If you suffer from depression, anxiety, PTSD, what have you, and you insist on playing this, please make sure that you have a close, trusted friend with you. This game's emotional impact is not to be underestimated.

Post by **MrPopo** » Sun Jan 21, 2018 6:07 pm

1. Ultima V - PC
2. Ultima VI - PC
3. Might and Magic VI - PC

And the old RPG hit parade continues. Might and Magic VI came out four years after V, and it shows. The graphics engine is now 3D environments with 2D sprites and you have free movement, rather than grid based. This ended up being a double edged sword; the parts that make the world feel more realistic are great, but on the flip side is a ton of game issues, especially around combat. It's sort of a beautiful mess.

Might and Magic VI is set on a new world called Enroth, and was previously seen in the first two Heroes of Might and Magic games. This will continue a theme of the stories of both series interweaving. Several references are made to events from the prior game, and some plot threads will only be picked up in subsequent games. It's never enough to make you feel disconnected from the story, but it does make you want to look up a plot summary. The end goal of VI is not immediately apparent, in the grand tradition of the series. You're given several potential hooks at the start, and following these quest lines and exploring the world will eventually show you what your end goal is.

The game markes a major mechanical change to party building. You now only have four party members, which really constrains you. With the larger parties of past games you had more freedom to play around with party selection and the hybrid classes could shine. Here you will find yourself locked out of several useful tools if you don't start with a Cleric and Sorcerer, leaving you just two slots to customize the party. And the hybrids are not as uesful as past games (in my opinion) due to the change in the skill system. This state of affairs gets both better and worse in future games, for the same reason. Future games flesh out the skill system more and there is no one party that can do everything well, so you're always making some sort of compromise. So worse in terms of feeling railroaded (if you want to do X you need class Y), but better in terms of there not being one true party. Speaking of the skill system, this is the major change the really affects how things are played. While previous games had non-combat skills you could purchase to unlock bonuses and travel options, this game introduces a more core skill system. Anything you want to equip or cast requires you to have the appropriate skill, and the skills have levels. Magic now scales based on your skill level, rather than character level, which ends up being a major nerf to its damage potential (along with some just bad scaling numbers). Additionally, at certain levels you become elligible for expert or master training in a skill, which confers an additional bonus. Compared to later games, MM6 is pretty open with the skills; if you can learn a skill you can master it (this changes in future games), and every single secondary skill (except the +max mana meditation) is available to every class. Future games will use skill locks and skill caps as ways of specializing classes more. But in MM6, it ends up making the hybirds "warrior + caster who can't use the best magic" or "both casters but can't use the best magic". The problem being that you don't have enough skill points to train up your weapons AND your magic well, and you need to train magic for it to be effective.

The combat is an utter mess of balance. You have two possible modes; real time and turn based. In real time you can attack with characters, after which they have some cooldown length affected by the weapon you used, the spell you cast, and if you're wearing armor. Magic and arrows will auto aim, and the whole thing generally sucks to use; the computer does a better job of it than you do and you end up with a lower damage output in general. Turn based can be turned on at any time; it halts you in place and is closer to the MM3-6 model. A notable change is that enemies are not restricted to only 3 in front of you, so you can get ganged up on pretty hard (enemies can move but you can't). But this also tends to normalize cooldowns heavily, so your characters aren't out of the fight for ages if you cast an impressive spell. So you'll spend 90% of the game doing turn based mode with some strategic moves back to real time for positioning. Then end game hits and you will go 100% realtime because you get end game weapons that are "hold A to win". It's really quite impressive how good they are, and they remove a lot of what would otherwise be heavy tedium (which you just went through to get said weapons).

I mentioned, too, that the 3D movement has some problems. The big thing is with flying enemies. Looking up and down is very cumbersome and very necessary to hit some flying enemies. They like to hover out of reach of your good weapons, leaving you just your spells and crappy arrows. And there are some very powerful enemies that can fly. It feels like the developers really didn't understand what they were enabling when they enabled enemies to fly with no height cap (other than the skybox). There are entire outdoor areas I never bothered fighting in because it was mostly flying enemies, and that's even with me having the fly spell.

Still, the game mostly survived the transportation to a fully 3D world. I think the biggest problem is the combat system; enemy hoards are huge and your aoe attacks are woefully lacking (and the good ones will hurt you if you cast them in melee range). Many fights I had to pull some enemies, then hide behind a corner and hope their pathfinding would get them to follow rather than getting hung up on a corner (they like to go into a corner of a room rather than the doorway in the middle). It seems like they still have the same sensibilities they had in MM2 of "let's use a giant horde!" except it lacks the self limiting of MM2-6 (in 2 only the front 8 could act, in 3-6 only the front 3).

HLTB · Post by **Xeogred** » Sun Jan 21, 2018 6:23 pm

1. Castle of Illusion Starring Mickey Mouse (Genesis)
2. Darkwing Duck (NES)
3. Batman* (NES)
4. Journey to Silius (NES)
5. Aladdin* (SNES)
6. Magical Quest Starring Mickey Mouse* (SNES)
7. Run Saber (SNES)
8. Batman: Return of the Joker (NES)
9. Ninja Warriors (SNES)
10. Thunder Spirits* (SNES)
11. Xenoblade Chronicles 2 (Switch)
11. Thunder Force III* (Genesis)
12. Donkey Kong Country* (SNES)
13. Skyblazer (SNES)

* = replay

Sony Imagesoft presents on the Super Nintendo...

Skyblazer! In ways that Ristar flexes what the Genesis could do, this game does the same on the SNES to the extent that this almost feels like it should have some experimental title produced and developed by Nintendo themselves. There is tons of mode 7 effects going on for various stages, bosses, etc and it was all really cool. As someone like all of us here well versed in so many games over the years, I was consistently impressed by how creative some of the stages and platforming gets at times too. For as many games as I've played, Skyblazer felt incredibly fresh and innovating. Usually for the best, with the exception of one stage that has these turrets of wind as your only source of "platforms" in the sky for the entire level and depending on the direction of the waves you will get thrown that way, so lots of falling to your death in this stage. There's a few auto scrolling stages and other situations where instant deaths will get you from being squashed, but the game is very generous with lives and it's easy to farm crystals in some rooms by just going in and out of them (think Kirby). The graphics are top notch and the OST really stands out as something seriously unique, lots of Middle Eastern overtones going on here and I can't think of many other soundtracks quite like this one. You get a little world map but it's really straightforward and linear from what I saw, clocked in about 1:40 so it's a nice sized game for what it is. Along the way you get some cool power ups and I really liked the combat, platforming, wall climbing, and utilizing some of the abilities to navigate some areas. It felt a lot like it could have been a Capcom game, but I perhaps thought of Quintet even more... because this game is just so weird in an awesome way and feels different. The only pitfall, like Ninja Warriors for me, was that final boss fight was a huge trail and error sink. Gotta be ready for some pixel perfect jumping and timing. Hope you stocked up on 20+ lives!

Overall highly recommended. My favorite track!!
14. Skyblazer - Lair of Kharyon

Let the screens tell the rest. I'm a sucker for some good temple heavy games and sprite work!

Post by **Sarge** » Sun Jan 21, 2018 8:03 pm

1) Legendary Axe II (TG16) (6.0) (1/1) (2.5 hours)
2) The Magical Quest Starring Mickey Mouse (SNES) (7.5) (1/3) (1.5 hours)
3) Tiny Toon Adventures: Buster Busts Loose! (SNES) (6.5) (1/3) (2.5 hours)
4) The Adventures of Batman & Robin (SNES) (7.0) (1/4) (2.5 hours)
5) The Great Circus Mystery Starring Mickey & Minney (7.5) (1/6) (1.5 hours)
6) Phantom 2040 (SNES) (7.0) (1/9) (9 hours?)
7) Batman: Return of the Joker (NES) (8.0) (1/10) (0.5 hours)
8) Super Street Fighter II: The New Challengers (SNES) (8.0) (1/15) (0.5 hours)
9) F-Zero (SNES) (7.5) (1/16) (1 hour)
10) Star Fox (SNES) (7.0) (1/17) (1 hour)
11) Marvel Super Heroes in War of the Gems (SNES) (8.0) (1/17) (1 hour)
12) Saturday Night Slam Masters (SNES) (7.0) (1/20) (1 hour)

So I pushed through Saturday Night Slam Masters on SNES. Taking advantage of the wrestling craze, Capcom basically took Final Fight and Street Fighter II, threw it into a blender, and ended up with this. It's much more akin to Final Fight, though, in that there doesn't feel like there's much depth. The fighting mechanics feel solid, of course, but there's a decided dearth of special moves. You do get some extra grab moves, of course, but I never did quite get the hang of the timing on my own initiating of a grab and my opponent doing the same. Breaking out of a grab seems nearly impossible; I rarely managed to pull it off, and only towards the end of my run.

While it has been some time since I played the arcade version, the game still looks quite nice on SNES. Capcom was doing quite a good job converting many of their arcade hits to the system, and this one was no exception.

Structurally, you play through all the default complement of opponents, then after winning the belt, you go through the same opponents as part of a title defense. Once you do that, you win for good. I found that things got tougher the whole way, even at the default difficulty, and oft-times I had to rely on some rather cheap tactics to pull out the win. In particular, if you can get good spacing, the dashing attack works extremely well. I also discovered the jump from the corners of the ring later on, which proved useful in getting a knockdown so I could go for the pin.

Pins are a bit interesting. While you can certainly go for it sooner, often the CPU will kick out well in advance of the 3-count, even when they are exceptionally weak. The answer, of course, is to deplete their life entirely; a pin under this condition is a guaranteed win. Of course, the same is true for you; get caught in a pin and you're done for. Things can get frantic when you're trying to dodge a pin with little to no health.

Really, I can see this game being an absolute blast with friends. The simplicity really helps it to be a game nearly anyone can pick up and play. That same lack of depth hurts it though as a single-player experience. I'd say the game clocks in at a solid 7/10. Good times, but short legs.

Post by **dsheinem** » Sun Jan 21, 2018 8:19 pm

Games Beaten 2018

Darkwing Duck - NES (PS4)
DuckTales - NES (PS4)
DuckTales 2 - NES (PS4)
Talespin - NES (PS4)
Chip n' Dale Rescue Rangers - NES (PS4)
Chip n' Dale Rescue Rangers 2 - NES (PS4)
Scarecrow - PS1 (Vita) *new*
The Heart of Dark - PS1 (Vita) *new*
Scarecrow - PS1 (Vita) *new*
Caligo - PC *new*

Total: 10

A few more to throw on the pile. The first few are contest winning games from Dazeaman Plus, all of which I would recommend. Every time I dig into the bonuses/fan games in that series I am super-impressed.

The last game here is a beautiful and odd walking simulator (I posted some pics here). Worth checking out if you dig the genre (aside from the bad voice acting). I plan to check out a few others from this dev in the future...

Previously: 2017 2016 2015 2014 2013 2012 2011 2010

HLTB · Post by **Xeogred** » Sun Jan 21, 2018 9:19 pm

Can't stop the power of the SNES. And I'm having too much fun adding stuff to HLTB and taking screenshots with emulators.

1. Castle of Illusion Starring Mickey Mouse (Genesis)
2. Darkwing Duck (NES)
3. Batman* (NES)
4. Journey to Silius (NES)
5. Aladdin* (SNES)
6. Magical Quest Starring Mickey Mouse* (SNES)
7. Run Saber (SNES)
8. Batman: Return of the Joker (NES)
9. Ninja Warriors (SNES)
10. Thunder Spirits* (SNES)
11. Xenoblade Chronicles 2 (Switch)
11. Thunder Force III* (Genesis)
12. Donkey Kong Country* (SNES)
13. Skyblazer (SNES)
14. Super Turrican* (SNES)

* = replay

Long time favorite here. One of the most nostalgic games of all time for me. Super Turrican is a game I played way back in the day when I was 5-6 or so and while I never ever forgot the look or sound of the game, I did forget the weird name. It wasn't until like 10 years later when we had a family computer and the internet was a thing when I was able to finally rediscover it. I wish I remembered how or what exactly I searched for, haha. I even remember asking my dad if he knew the name at some point but alas he did not. I just remember the cool cover art and like I said, the graphics and the music leave an infinitely long lasting impression on you.

Fast forward to now, Chris Huelsbeck is one of my favorite VGM composers of all time because of the Turrican games. Every Turrican game has an S-Rank OST and his orchestral albums for the series is incredible. I finally hit up Mega Turrican last year which was a highlight and from what I understand is closer to being the actual real Turrican III. Now that Super is fresh in my mind again I can compare them better. Super is definitely shorter in a weird way and the final boss isn't even the evil emperor overlord guy, it's just the alien queen. The credits even tease multiple times "Turrican will be back" and then "The End!?" haha. Not sure if they were on a tight budget or Super Turrican 2 had already started production or what. Super has some exclusive levels though, the snow stages and the auto-scrolling alien train one (hardest level in the game!) In the Amiga games and Mega Turrican, the levels are much longer in general. And you stay in the "worlds" longer, like there's way more factory levels stringed together whereas you move through the worlds pretty quickly in Super. Overall I think Super is a lot easier and I blasted through it faster than I expected. I don't know which one I like more, but Super is pure nostalgia city. I'm a fan of Super Turrican 2 as well but it definitely takes some different turns in design that long time fans of the series don't seem to like, but I still think it's an excellent run and gun platformer as well as a real technical achievement on the SNES.

The Turrican series are run and gun platformers with level design more akin to Sonic in ways, the levels are non-linear and can be like a maze. Lots of verticality to them. This is cool and sets it apart from the linear Contra styled titles. It still amazes me how Turrican straight up has the HR Giger Alien, Xenomorphs, and face huggers in there. I think they even pull some designs straight out of Contra too. They aren't shy about the influences. But it's the execution that matters and Super Turrican is extremely high quality. Some of the coolest sprite work ever, the factory stages in particular are oozing with atmosphere, the music is straight up some of the best you'll ever hear in the medium and like nothing else you'll hear on the SNES.

Very Highly recommended.

Favorite Track: Everything

Post by **isiolia** » Sun Jan 21, 2018 10:55 pm

1. Chip 'n Dale Rescue Rangers (PC)
2. Hellblade: Senua’s Sacrifice (PC)
3. Thor: God of Thunder (DS)
4. Portal (Mac)

Mentioned in the thread about fixin' Macs, but, I ran through Portal in order to test the machine I'd been working on. I'd actually first played through it on integrated graphics. I got The Orange Box and a Macbook that didn't have a discrete card in it for Christmas, and didn't want to wait until I went home (well, that, and I was at my parent's house, so I was bored). Since I'd repaired a 2007 iMac, it was period-correct to test with. :lol:

Anyway, still great.

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